Vintage Computing Festival Berlin 2020

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bcd_cyberneticart_team [2020/10/09 17:26]
bcd_cyberneticart_team [Virtueller Ausstellungstisch] 		bcd_cyberneticart_team [2024/02/27 01:51] (aktuell)
bcd_cyberneticart_team
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-**Men - Machine visual communication with __on-line minicomputer PDP 8__** (DEC) connected via A/D and D/A converters to the Light Pen System & oscilloscope for displaying “pixel” graphics on the CRT screen. The System was constructed in mid 1960s at The Laboratory for Cybernetics (IRB | Zagreb) and used for scientific research, mainly in nuclear spectroscopy (leftmost: spectrum 3He(3He,2p)aHe), but also by Vladimir (rightmost: “PLN-9 V.B.”) in his pioneering use of “Computer in Visual Research” since 1968 onward. **In the middle (from left):** TTY, PDP 8, A/D and D/A converters, oscilloscope with CRT screen, light pen stylus.+**__Men__** & **__Machine__ visual __on-line__ communication** with **__minicomputer PDP 8__** (DEC) connected via **A/D** and **D/A** converters to the **Light Pen** System & **oscilloscope** for displaying “**pixel**” **graphics** on the **CRT screen**. __Middle__ (__from left__): TTY, PDP 8, A/D and D/A converters, oscilloscope with CRT screen, light pen stylus. The System was constructed in mid 1960s at The Laboratory for Cybernetics (IRB | Zagreb) and used for __scientific research__, mainly in __nuclear spectroscopy__ (__Leftmost__: spectrum 3He(3He,2p)aHe); illustration of __Static__ **Scientific Pixel**), but also by **Vladimir Bonačić** __for art purposes__ in his pioneering use of “Computers and Visual Research” since 1968 onward (__Rightmost__: “PLN 8, V.B. 1969”; illustration of __Dynamic__ __Graphic__ **Artistic** **Pixel**).\\
  
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-Computer-Based //CyberneticArt// "Pixel Installations" in Public Spaces by V. Bonačić, Zagreb 1969-1971.\\ +Computer-Based //CyberneticArt// "__Pixel Installation__" in __Public Space__ by V. Bonačić premier exhibited at **tendencies 4**, Zagreb 1969 (upper left and right: detail) followed by two other "Pixel Installations" in Public Spaces, Zagreb until 1971 (lower left and right).
-[text will be updated]+
  
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-Computer-Based //CyberneticArt// "Pixel Sculpture" Dynamic Object DIN.GF100 by V. Bonačić, premier exhibited at //tendencies4//, Zagreb 1969. [text will be updated]+Computer-Based //CyberneticArt// "__Pixel Sculpture__" Dynamic Object DIN.GF100 by V. Bonačić premier exhibited at **tendencies 4**, Zagreb 1969. Together with "__Pixel Installation__" in __Public Space 1969__, both are part of the prize recognition for "**Computer and Visual Research**" from the __International Competition Jury of Tendencies 4, Zagreb in 1969__ (among others Umberto Eco as juror).\\ 
 +These very early //CyberneticArt// "__Pixel Installations__" in Public Spaces and "__Pixel Sculpture__" DIN.GF100 by V. Bonačić have in common “**map**[ping]**ware**” – author’s own invention since 1968/1969: proprietary special-purpose self-made system for __mapping **software** functionality simulated at the host computer__ (__SDS 930__) into a __special purpose digital electronics **hardware**__ being able to __emulate the source functionality__ in it. (The then [digital] computers have been very expensive and too huge to be devoted as constituent part of an artwork.)
  
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 COMPAQ Portable Plus in Election Broadcasting Studio: early beginner's graphics (upper left).\\ COMPAQ Portable Plus in Election Broadcasting Studio: early beginner's graphics (upper left).\\
-COMPAQ Portable Plus enables interaction with CyberneticArt Dynamic Object GF.E 16,4 NSCM at St Kilian Church | Wiesbaden during life performance of CyberneticArt Music. It was the world premiere of “Floating Rhythm” by bcd team (upper right).\\ [text will be updated]+COMPAQ Portable Plus enables interaction with CyberneticArt Dynamic Object GF.E 16,4 NSCM at St Kilian Church | Wiesbaden during life performance of CyberneticArt Music. It was the world premiere of “Floating Rhythm” by bcd team (upper right). [text will be updated]
  
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 COMPAQ Portable 386 (upper left and right)\\ COMPAQ Portable 386 (upper left and right)\\
-COMPAQ Portable 386 "in action" at SWF. Mid left: Vladimir Bonačić (//bcd CyberneticArt team//) / mid right: SWF-Chefredakteur Reinhard Kleinmann ("Meinungsreport") testing CIS’90 (“Cybernetic Information System”, developed by and ©//bcd team//). [text will be updated]\\+COMPAQ Portable 386 "in action" at SWF. Mid left: Vladimir Bonačić (//bcd CyberneticArt team//) / mid right: SWF-Chefredakteur Reinhard Kleinmann ("Meinungsreport") testing CIS’90 (“Cybernetic Information System”, developed\\ 
 +and © by //bcd team//). [text will be updated]\\
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-Germany premiere of VR in Broadcasting Studio at SWF by //bcd team// (moderator: Reinhard Kleinmann)\\ +Germany premiere of VR in Broadcasting Studio at SWF by //bcd team// (moderator: Reinhard Kleinmann). [text will be updated]
-[text will be updated]+
  
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 Computer-Based CyberneticArt interactive "Pixel Installation" **INSTANTANEOUS** by **//bcd team//** (1987) is an “impregnable unity” established between __sixteen COMPAQ Deskpro 386 computers__ linked via LAN network (Novell NetWare) into the “**dematerialized work of art**” **emulating on-line** the “**transcendental**” **Galois Field** in **real-time**. __Two additional COMPAQ Deskpro 386 computers__ have been responsible for generation of the **Galois Fields**, operation of the network, the long-term memory, real-time scheduling of 16 parallel processors using “intelligent heuristic methods” and the interface with a graphical data-base (corresponding to the then PAL TV-broadcasting standard; different TV-standards, such as SECAM or NTSC including HDTV, could also be used with minor adaptations).\\ Computer-Based CyberneticArt interactive "Pixel Installation" **INSTANTANEOUS** by **//bcd team//** (1987) is an “impregnable unity” established between __sixteen COMPAQ Deskpro 386 computers__ linked via LAN network (Novell NetWare) into the “**dematerialized work of art**” **emulating on-line** the “**transcendental**” **Galois Field** in **real-time**. __Two additional COMPAQ Deskpro 386 computers__ have been responsible for generation of the **Galois Fields**, operation of the network, the long-term memory, real-time scheduling of 16 parallel processors using “intelligent heuristic methods” and the interface with a graphical data-base (corresponding to the then PAL TV-broadcasting standard; different TV-standards, such as SECAM or NTSC including HDTV, could also be used with minor adaptations).\\
 \\ \\
-N. B. **Exclusive world premiere exhibition** was generously supported by COMPAQ Headquarters from Huston and Munich by gathering through Europe (practically in no time) the than newly introduced Deskpros 386 and getting them professionally installed (practically in no time) by Technical Division from Munich. The exhibition was held at __Academia Nationale dei Lincei, Rome, 1987__ under the auspices of __UNESCO__ and __European Academy of Arts, Sciences, and Humanities__ on the occasion of The __International Colloquium__ “**The Scientific Dimension of Cultural Development**”. Reprint of the accompanied paper “**A Transcendental Concept for Cybernetic Art in the 21st Century**”, published in LEONARDO, Vol. 22, No. 1, pp. 109-111, 1989, will be on disposal for VCFB 2020 together with associated documentation “**//bcd// Visions for Cybernetic Art**” (published by Paris Art Center and European Academy of Arts, Sciences and Humanities, autumn 1987), site specific photo documentation of the exhibition, and short video by France [Régions] 3 (FR3) depicting Deskpros 386 "performing" VR “movement without movement”.\\+N. B. **Exclusive world premiere exhibition** was generously supported by COMPAQ Headquarters from Huston and Munich by gathering through Europe (practically in no time) the than newly introduced Deskpros 386 and getting them professionally installed (practically in no time) by Technical Division from Munich. The exhibition was held at __Academia Nationale dei Lincei, Rome, 1987__ under the auspices of __UNESCO__ and __European Academy of Arts, Sciences, and Humanities__ on the occasion of The __International Colloquium__ “**The Scientific Dimension of Cultural Development**”. Reprint of the accompanied paper “**A Transcendental Concept for Cybernetic Art in the 21st Century**”, published in LEONARDO, Vol. 22, No. 1, pp. 109-111, 1989, will be on disposal for VCFB 2020 together with associated documentation “**//bcd// Visions for Cybernetic Art**” (published by Paris Art Center and European Academy of Arts, Sciences and Humanities, autumn 1987), site specific photo documentation of the exhibition, and short video by France [Régions] 3 (FR3) depicting Deskpros 386 "performing" VR “motion without movement”.\\
 \\ \\
 Finally, the “**space-time travel**” through the observed **Galois Fields**, __simulated__ in the transcendence, but __emulated__ in materiality & temporality of our silicon-technology-critical VR, personifies a true “**instantaneous**” parallel processing mode beyond “length contraction & time dilation” in which “location”, “here”, or “there”, and  "time sequence", "before", or "after" hardly have meaning, except to remind us that we thought, somewhere in the past, or that we’ll think, somewhere in the future, perhaps differently then right here and now, nevertheless “**cybernating**” back and forth by “trial and error". Thus, **resiliently** tackling our “**Cybernetic enhanced ethical Cognitive Learning**”, inborn to all human beings regardless of "whatever", for a **Betterment of our [Digital] Information Society**. Finally, the “**space-time travel**” through the observed **Galois Fields**, __simulated__ in the transcendence, but __emulated__ in materiality & temporality of our silicon-technology-critical VR, personifies a true “**instantaneous**” parallel processing mode beyond “length contraction & time dilation” in which “location”, “here”, or “there”, and  "time sequence", "before", or "after" hardly have meaning, except to remind us that we thought, somewhere in the past, or that we’ll think, somewhere in the future, perhaps differently then right here and now, nevertheless “**cybernating**” back and forth by “trial and error". Thus, **resiliently** tackling our “**Cybernetic enhanced ethical Cognitive Learning**”, inborn to all human beings regardless of "whatever", for a **Betterment of our [Digital] Information Society**.
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 [[https://bbb.vcfb.de/b/bcd-1bd-jza-kvn|Zum virtuellen Ausstellungstisch]] [[https://bbb.vcfb.de/b/bcd-1bd-jza-kvn|Zum virtuellen Ausstellungstisch]]
  
-Hier wird stehen, zu welchen Zeiten die virtuelle Ausstellung für Fragen, Diskussionen und allgemeinen Plausch geöffnet ist.+Hier seht ihr, zu welchen Zeiten die virtuelle Ausstellung für Fragen, Diskussionen und allgemeinen Plausch geöffnet ist.
  
 ==== Anwesenheitszeiten ==== ==== Anwesenheitszeiten ====
  
 ^ Tag       ^ Uhrzeit          ^ ^ Tag       ^ Uhrzeit          ^
-|Samstag     | 00:00 - 00:00  | +|Samstag     | 13:00 - 14:00  | 
-|Samstag     | 00:00 - 00:00  |+|Samstag     | 15:00 - 18:00  |
 | | | | | |
-|Sonntag     | 00:00 - 00:00  | +|Sonntag     | 11:00 - 13:00  | 
-|Sonntag     | 00:00 - 00:00  | +|Sonntag     | 16:00 - 18:00  |
- +
- +
-==== Vorführungszeiten ==== +
- +
-Falls es neben allgemeinem Plausch am Ausstellungstisch auch spezielle Vorführungszeiten geben wird, können diese hier eingetragen werden. +
- +
-^ Tag       ^ Uhrzeit          ^  Demo          ^ +
-|Samstag     | xx:xx  | xxx | +
-|Samstag     | xx:xx  | yyy | +
-| | | | +
-|Sonntag     | xx:xx  | xxx | +
-|Sonntag     | xx:xx  | yyy |+
bcd_cyberneticart_team.1602257211.txt.gz · Zuletzt geändert: 2020/10/09 17:26 von bcd_cyberneticart_team

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