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bcd_cyberneticart_team [2021/10/09 07:02] bcd_cyberneticart_team |
bcd_cyberneticart_team [2024/02/27 01:45] (aktuell) bcd_cyberneticart_team |
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- | ====== Seven Metamorphoses of the " | + | ====== Seven Metamorphoses of the " |
**//__bcd CyberneticArt team__//** (Königswinter_Berlin_Zagreb): | **//__bcd CyberneticArt team__//** (Königswinter_Berlin_Zagreb): | ||
**Miro A. Cimerman** & **Dunja Donassy-Bonačić** | **Miro A. Cimerman** & **Dunja Donassy-Bonačić** | ||
- | Following our // | + | Following our // |
+ | (//bcd CyberneticArt team // __oeuvre__: | ||
+ | [[https:// | ||
- | This year premiere | + | This year __premier__ **Interactive |
- | Starting point (__Static__ **Scientific Pixel**) is to be found in the newly established | + | Starting point (__Static__ **Scientific Pixel**) is to be found in the then (mid 1960ies) |
+ | (*)Link [__New__] __Tendencies__: | ||
+ | [[http:// | ||
+ | [[https:// | ||
- | In the next year (1969), for the second part of the t4 exhibition “Computers | + | In the next year (1969), for the second part of the t4 exhibition “__Computers |
- | The [[https:// | + | We show selection of some typical examples for each // |
+ | [[https:// | ||
- | ordered from // | + | |[[https:// |
- | + | |[[https:// | |
- | |[[https:// | + | |[[https:// |
- | |[[https:// | + | |[[https:// |
- | |[[https:// | + | |[[https:// |
- | |[[https:// | + | |[[https:// |
- | |[[https:// | + | |[[https:// |
- | |[[https:// | + | |
- | |[[https:// | + | |
------- | ------- | ||
=====(1st) Metamorphosis===== | =====(1st) Metamorphosis===== | ||
- | => [Proto-Intelligent] [Interactive] | + | => |
{{ wiki: | {{ wiki: | ||
- | **Men - Machine | + | **__Men__** & **__Machine__ |
+ | [text will be updated] | ||
{{ wiki: | {{ wiki: | ||
Illustration of __Dynamic__ __Graphic__ **Artistic** **Pixel**: | Illustration of __Dynamic__ __Graphic__ **Artistic** **Pixel**: | ||
- | Details from "PLN Series, V.B. 1969" @ t4 Exhibition “Computers and Visual Research” | + | Details from "PLN Series, V.B. 1969" @ t4 Exhibition “Computers and Visual Research”\\ |
+ | [text will be updated] | ||
- | [[https:// | + | [[https:// |
=====(2nd) Metamorphosis===== | =====(2nd) Metamorphosis===== | ||
- | => [Proto-Intelligent] | + | => |
{{ wiki:random 63_triptych_cm1.jpg | {{ wiki:random 63_triptych_cm1.jpg | ||
- | Monochrome Bulb (plain). " | + | **Monochrome Bulb** (plain). "**Random 63, V.B. 1969**" |
+ | [text will be updated] | ||
{{ wiki:din 100_triptych_CM0.jpg | {{ wiki:din 100_triptych_CM0.jpg | ||
- | Monochrome Bulb + Color Film. " | + | **Monochrome Bulb** + **Color Film**. "**Dynamic Object DIN. GF 100, V.B. 1969**"\\ |
+ | [text will be updated] | ||
- | [[https:// | + | [[https:// |
=====(3rd) Metamorphosis===== | =====(3rd) Metamorphosis===== | ||
- | => [Proto-Intelligent] | + | => |
{{ wiki: | {{ wiki: | ||
- | "Pixel Installation" | + | "**Pixel Installation**" in **Public Urban Space** (by V. Bonačić)\\ |
premier exhibited at tendencies 4, Zagreb 1969.\\ | premier exhibited at tendencies 4, Zagreb 1969.\\ | ||
(DIN. PR 18, V.B. 1969, Kvaternik Square, Zagreb; **upper left** and **right**: detail)\\ | (DIN. PR 18, V.B. 1969, Kvaternik Square, Zagreb; **upper left** and **right**: detail)\\ | ||
followed by two other "Pixel Installations" | followed by two other "Pixel Installations" | ||
- | (**lower right**: DIN. PR 16, 1971, NaMa Kvaternik Square, Zagreb). | + | (**lower right**: DIN. PR 16, 1971, NaMa Kvaternik Square, Zagreb).\\ |
+ | [text will be updated] | ||
- | [[https:// | + | [[https:// |
=====(4th) Metamorphosis===== | =====(4th) Metamorphosis===== | ||
- | => [Proto-Intelligent] | + | => |
{{ wiki: | {{ wiki: | ||
Zeile 71: | Zeile 80: | ||
{{ wiki: | {{ wiki: | ||
- | " | + | "**Dynamic Object GF.E 32 NS, V.B. 1969-1970**", Interactive // |
- | [[https:// | + | Link [[http:// |
+ | |ZDF Virtual Museum]] | ||
+ | |||
+ | [text will be updated] | ||
+ | |||
+ | [[https:// | ||
=====(5th) Metamorphosis===== | =====(5th) Metamorphosis===== | ||
- | => [Proto-Intelligent] | + | => |
{{ wiki: | {{ wiki: | ||
Zeile 83: | Zeile 97: | ||
**Right**: " | **Right**: " | ||
The visual and audible patterns, the appearance of their combinations, | The visual and audible patterns, the appearance of their combinations, | ||
- | Four independent acoustic channels with 4 loud-speakers (“**QuadroSound**”) make it possible to experience and immerse spectators into “**Dynamic | + | Four independent acoustic channels with 4 loud-speakers (“**QuadroSound**”) make it possible to experience and immerse spectators into “**Dynamic Acoustic |
+ | [text will be updated] | ||
- | [[https:// | + | [[https:// |
=====(6th) Metamorphosis===== | =====(6th) Metamorphosis===== | ||
- | => [Proto-Intelligent] [Interactive] | + | => |
{{ wiki: | {{ wiki: | ||
- | The visualization of “Hidden [Digital] Data Structures” of the Galois Fields (GF) is a problem of some complexity. The sculpture “__Dynamic | + | The visualization of “Hidden [Digital] Data Structures” of the Galois Fields (GF) is a problem of some complexity. The Interactive **LED Pixel** |
{{ wiki: | {{ wiki: | ||
- | Traffic + Object in Space | + | Model: |
+ | [text will be updated] | ||
- | [[https:// | + | [[https:// |
=====(7th) Metamorphosis===== | =====(7th) Metamorphosis===== | ||
- | => | + | => Proto-[Intelligent] [Interactive] |
{{ wiki: | {{ wiki: | ||
{{ wiki: | {{ wiki: | ||
- | INSTANTANEOUS | + | **INSTANTANEOUS**, interactive // |
+ | //bcd team// (1987), is an “impregnable unity” established between sixteen COMPAQ Deskpro 386 computers linked via LAN network (Novell NetWare) into the “dematerialized work of art” emulating on-line the “transcendental” Galois Field[s] in real-time. Two additional COMPAQ Deskpro 386 computers have been responsible for generation of the Galois Fields, operation of the network, the long-term memory, real-time scheduling of 16 parallel processors using “intelligent heuristic methods” and the interface with a graphical data-base (corresponding to the then PAL TV-broadcasting standard; different TV-standards, | ||
+ | |||
+ | Exclusive world premier exhibition was held at Academia Nationale dei Lincei, Rome, 1987 under the auspices of UNESCO and European Academy of Arts, Sciences, and Humanities on the occasion of The International Colloquium “The Scientific Dimension of Cultural Development”. Reprint of the accompanied paper “**A Transcendental Concept for Cybernetic Art in the 21st Century**”, | ||
+ | |||
+ | Link [[https:// | ||
+ | Link [[http:// | ||
+ | |||
+ | [text will be updated] | ||
- | [[https:// | + | [[https:// |
-------\\ | -------\\ | ||
N. B.\\ | N. B.\\ | ||
- | Development and preparation of this Virtual Exhibition, with focal point on digitalization, | + | Development and preparation of this Interactive |
- | [[https://wiki.vcfb.de/ | + | |
+ | \\ | ||
+ | [[https:// | ||
+ | \\ | ||
===== Virtueller Ausstellungstisch ===== | ===== Virtueller Ausstellungstisch ===== | ||
Zeile 129: | Zeile 155: | ||
|Sonntag | |Sonntag | ||
- | [[https:// | + | [[https:// |