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bcd_cyberneticart_team [2021/11/10 22:44] bcd_cyberneticart_team |
bcd_cyberneticart_team [2024/02/27 01:39] bcd_cyberneticart_team |
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- | ====== Seven Metamorphoses of the " | + | ====== Seven Metamorphoses of the " |
**//__bcd CyberneticArt team__//** (Königswinter_Berlin_Zagreb): | **//__bcd CyberneticArt team__//** (Königswinter_Berlin_Zagreb): | ||
**Miro A. Cimerman** & **Dunja Donassy-Bonačić** | **Miro A. Cimerman** & **Dunja Donassy-Bonačić** | ||
- | Following our // | + | Following our // |
- | |revealment]] of the __newest exploration__ into **digitality**, | + | (//bcd CyberneticArt team // __oeuvre__: |
+ | [[https:// | ||
- | This year __premiere__ | + | This year __premier__ |
- | Starting point (__Static__ **Scientific Pixel**) is to be found in the then (mid 1960ies) newly established “Laboratory for Cybernetics”, | + | Starting point (__Static__ **Scientific Pixel**) is to be found in the then (mid 1960ies) newly established “Laboratory for Cybernetics”, |
+ | (*)Link [__New__] __Tendencies__: | ||
+ | [[http:// | ||
+ | [[https:// | ||
- | In the next year (1969), for the second part of the t4 exhibition “Computers | + | In the next year (1969), for the second part of the t4 exhibition “__Computers |
- | We show selection of some typical examples for each // | + | We show selection of some typical examples for each // |
- | [[https:// | + | [[https:// |
- | |[[https:// | + | |[[https:// |
- | |[[https:// | + | |[[https:// |
- | |[[https:// | + | |[[https:// |
- | |[[https:// | + | |[[https:// |
- | |[[https:// | + | |[[https:// |
- | |[[https:// | + | |[[https:// |
- | |[[https:// | + | |[[https:// |
------- | ------- | ||
=====(1st) Metamorphosis===== | =====(1st) Metamorphosis===== | ||
- | => [Proto-Intelligent] [Interactive] | + | => |
{{ wiki: | {{ wiki: | ||
- | **Men - Machine | + | **__Men__** & **__Machine__ |
[text will be updated] | [text will be updated] | ||
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[text will be updated] | [text will be updated] | ||
- | [[https:// | + | [[https:// |
=====(2nd) Metamorphosis===== | =====(2nd) Metamorphosis===== | ||
- | => [Proto-Intelligent] | + | => |
{{ wiki:random 63_triptych_cm1.jpg | {{ wiki:random 63_triptych_cm1.jpg | ||
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[text will be updated] | [text will be updated] | ||
- | [[https:// | + | [[https:// |
=====(3rd) Metamorphosis===== | =====(3rd) Metamorphosis===== | ||
- | => [Proto-Intelligent] | + | => |
{{ wiki: | {{ wiki: | ||
Zeile 65: | Zeile 69: | ||
[text will be updated] | [text will be updated] | ||
- | [[https:// | + | [[https:// |
=====(4th) Metamorphosis===== | =====(4th) Metamorphosis===== | ||
- | => [Proto-Intelligent] | + | => |
{{ wiki: | {{ wiki: | ||
Zeile 83: | Zeile 87: | ||
[text will be updated] | [text will be updated] | ||
- | [[https:// | + | [[https:// |
=====(5th) Metamorphosis===== | =====(5th) Metamorphosis===== | ||
- | => [Proto-Intelligent] | + | => |
{{ wiki: | {{ wiki: | ||
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**Right**: " | **Right**: " | ||
The visual and audible patterns, the appearance of their combinations, | The visual and audible patterns, the appearance of their combinations, | ||
- | Four independent acoustic channels with 4 loud-speakers (“**QuadroSound**”) make it possible to experience and immerse spectators into “**Dynamic | + | Four independent acoustic channels with 4 loud-speakers (“**QuadroSound**”) make it possible to experience and immerse spectators into “**Dynamic Acoustic |
[text will be updated] | [text will be updated] | ||
- | [[https:// | + | [[https:// |
=====(6th) Metamorphosis===== | =====(6th) Metamorphosis===== | ||
- | => [Proto-Intelligent] [Interactive] | + | => |
{{ wiki: | {{ wiki: | ||
Zeile 108: | Zeile 112: | ||
[text will be updated] | [text will be updated] | ||
- | [[https:// | + | [[https:// |
=====(7th) Metamorphosis===== | =====(7th) Metamorphosis===== | ||
- | => | + | => Proto-[Intelligent] [Interactive] |
{{ wiki: | {{ wiki: | ||
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//bcd team// (1987), is an “impregnable unity” established between sixteen COMPAQ Deskpro 386 computers linked via LAN network (Novell NetWare) into the “dematerialized work of art” emulating on-line the “transcendental” Galois Field[s] in real-time. Two additional COMPAQ Deskpro 386 computers have been responsible for generation of the Galois Fields, operation of the network, the long-term memory, real-time scheduling of 16 parallel processors using “intelligent heuristic methods” and the interface with a graphical data-base (corresponding to the then PAL TV-broadcasting standard; different TV-standards, | //bcd team// (1987), is an “impregnable unity” established between sixteen COMPAQ Deskpro 386 computers linked via LAN network (Novell NetWare) into the “dematerialized work of art” emulating on-line the “transcendental” Galois Field[s] in real-time. Two additional COMPAQ Deskpro 386 computers have been responsible for generation of the Galois Fields, operation of the network, the long-term memory, real-time scheduling of 16 parallel processors using “intelligent heuristic methods” and the interface with a graphical data-base (corresponding to the then PAL TV-broadcasting standard; different TV-standards, | ||
- | Exclusive world premiere | + | Exclusive world premier |
Link [[https:// | Link [[https:// | ||
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[text will be updated] | [text will be updated] | ||
- | [[https:// | + | [[https:// |
-------\\ | -------\\ | ||
N. B.\\ | N. B.\\ | ||
- | Development and preparation of this Interactive Virtual Exhibition, with focal point on digitalization and digitality, was partially supported by the Grant »__Module D: Digital Exchange Formats__« as Partial Program of »__New Start for Visual Artists__« of the **Association of German Artists e.V. Berlin** in the framework of Federal Program **NEW START CULTURE** by Federal Government Commissioner for Culture and the Media.{{wiki: | + | Development and preparation of this Interactive Virtual Exhibition, with focal point on digitality |
\\ | \\ | ||
- | [[https:// | + | [[https:// |
\\ | \\ | ||
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|Sonntag | |Sonntag | ||
- | [[https:// | + | [[https:// |